Showing posts with label Darcy Clay. Show all posts
Showing posts with label Darcy Clay. Show all posts
March 15, 2013
Darcy Clay
Today marks 15 years since Darcy Clay died. I was lucky enough to meet him a handful of times - firstly to talk about directing a music video for him. Trevor Reekie (Antenna Recordings his label) put me onto him, as Darcy had got an NZ On Air music video grant. He had some great ideas - doing a big song and dance number down Queen st - but eventually decided he'd rather work on some recording instead and ditched the music video. Later I got to interview him for Pavement magazine, see below. The following interview will be included in my book I Believe You Are A Star, out May.
Darcy Clay: He’s evil?!
Published in Pavement, August/September 1997
Having already conquered the pop charts, twisted Auckland musician Darcy Clay now has his sights set further afield.
"I wouldn't mind going to Africa and spending some time with the lions," he intones. "I'd like to travel. Music is not the greatest thing in the world. It's one of them but it's not the only one, as far as I'm concerned. I want to get into Pavement magazine and I want to be on the cover of Time." Well, he's halfway there then.
Darcy Clay has taken the airwaves by storm. His infectious pop ditty Jesus I Was Evil has been all over student radio for a while and now, with the release of his six song CD of the same name, he's set to become a household name. Maybe that sounds a tad optimistic for a song recorded at home on a four-track but the CD is already cutting through the NZ top 20, debuting at number 18 and rising to number 5.
The Clean hold the title as the last New Zealand band to make the charts with a DIY four-track recording back in the early-'80s. But what's behind the enigmatic man who came up with the great auto-racing couplet: "I used to crash parties and Maseratis. Jesus I was evil!" I ventured out to deepest Grey Lynn, the cutting edge of home recording (Chris Knox, come on down!) to find out.
When I arrive, Darcy is standing in front of his piano pounding away, playing along intently to a tune on his Walkman. We adjourn to his front porch for a quick chat in the face of a damn crisp early evening.
Why avoid the traditional recording studio route and record at home? "It's good. You can record at any time of the day. It's cheap. There's no pressure. And you're alone. I like that. You don't have to talk to anybody, just suit yourself."
What's it like being famous now?
"I don't know. I'm not famous. John Lennon's famous. I guess being known, it makes it easier. People are more willing to lend you gear."
Clay is planning to record some new songs soon too. "I'm going to do about five or six songs at home and release them, then do an album in a proper studio. I don't care where, as long as it's with a good engineer."
And then there's that trip to Africa...
Watch: Dylan Taite interviewing Darcy, 1997. Taite: "It's like nothing you've heard before, but in fact, it's like everything you've heard."
February 27, 2013
What's this book about, then?
Before starting my blog Dubdotdash in 2003, I'd been a freelance journalist for a handful of magazines, including Real Groove, North and South, NZ Musician, Rip It Up, and going back to Planet, Pavement, Lava and Stamp. Over the past year I've been working on pulling together a collection of articles I wrote during that time, scanning and converting the text, and will be publishing them via Amazon's Createspace as a book/e-book.
There's some interesting threads in there, like Stellar discussing their sizeable album budget, comparing it to SJF or JPSE, then Fiona McDonald having a similar conversation round her album budget, citing JPSE and Stellar. There's an early interview with P-Money (before he'd even released any of his own recordings), which he later told me his Dad liked cos it was the first interview that actually sounded like him!
Or Bailterspace talking about going to the beach, but the UV index being so high they had to stay in the car with the windows up. Or Shayne Carter making me sit in the Sony boardroom and listen to the first album by his band Dimmer in its entirety, as he didn't want to send out any advance promo copies.
Other interviews featured include Darcy Clay, Salmonella Dub, Sola Rosa, Dean Hapeta (Upper Hutt Posse), Kog Transmissions, HDU, Mark de Clive-Lowe, Tigi Ness, Black Seeds, Jakob, Pitch Black, JPSE, and more. Interviews done between 1992 and 2003.
Official publication date is 20 May, 2013. Book launch at Conch Records, Saturday May 25, 3pm, with Dylan C DJing all-NZ vinyl set, books for sale on the day, with the author signing 'em. Published by Dunbar Noon Publishing.
You can buy the book (RRP $19.95) at Conch Records, Real Groovy (Akl), Slowboat Records, RPM Music (Wgtn) FlyingOut mailorder (NZ) and online from Amazon.com, and also on Kindle here.
You can buy the book (RRP $19.95) at Conch Records, Real Groovy (Akl), Slowboat Records, RPM Music (Wgtn) FlyingOut mailorder (NZ) and online from Amazon.com, and also on Kindle here.
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